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With PROPIXIE™ from Pixel Film Studios™, you can give your film an epic or magical look by simulating floating particles in your footage. PROPIXIE™ is a collection of 75 ProRes composites that can be applied to footage in any non-linear editing software, simply drag and drop the video file on top of your footage in the timeline and select a composite type.

Filming an abandoned building or a bubbling bog? Create a mystical, smokey atmosphere with PROSMOKE™ from Pixel Film Studios™. This collection of 50 ProRes smoke composites can create a magical, chaotic or steamy look with any footage. PROSMOKE™ can be applied to clips in any non-linear editing software, simply drag and drop the video file on top of your footage in the timeline and select a composite type.

UNCUT is the UK's most authoritative music and film magazine and every month celebrates the great legends, icons and maverick talents of rock and movies in one brilliant package that embraces both old and new, cult and classic. It is essential reading for anyone with a passion for music and film - and every month there's a free CD.

Film Stocks is a unique filter that simulates 288 different color and black and white still photographic film stocks, motion picture films stocks and historical photographic processes. Using our experience in creating special effects for hundreds of feature films as well as expertise in film scanning and recording techniques, we have laboriously researched and analyzed different film stocks to come up with a set of interesting analog photographic, motion picture and vintage looks. Make any digital image look interesting by applying some of our film magic.

For over a decade, Dov Simens has been Hollywood's greatest film instructor. Voted "America's #1 Film Instructor" by the National Association of Film Schools, and having taught at USC, NYU, UCLA and over 18 other major universities and film schools around the world, Dov has been revolutionizing the film industry with his 2-day Film School that packs four years of film education into a single weekend. In just two days taking Dov Simens 2-Day Film

Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films--from Bringing Up Baby to Terms of Endearment, from Stagecoach to Reservoir Dogs--this lively book provides the first full-length study of the use of dialogue in American film.
Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film.
The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres.

In this course,FXPHD covers the Avid Media Composer software, available on both Mac and Windows platforms, with a focus on Independent filmmaking and new media projects. In the first few courses, we take you from Final Cut – the standard tool for most Independent Filmmakers – into Avid – the standard in Hollywood. We will focus on the similarities and differences, with many, many examples.

Fictional films tell true historical stories… Film and History is a compelling and unique overview of the cinema and its relationship with history, ranging from the ancient world to the modern day. This is the first book of its kind to offer such a broad historical and theoretical portrayal of the rapidly-growing sub field of history and film. Rosenstone introduces the varieties, types and traditions of historical films made worldwide and sets this against the changing ways in which historians and other public critics debate the portrayal of history in modern film.